What I learned rewriting six romances

And how readers are finding books now

Neil S. Plakcy

Jan 26, 2026

Last summer I embarked on what turned out to be a much bigger project than I expected.

I wanted to see if I could wring a few new sales out of some romance novels I wrote back in the 2010s—the Love on series. I had fond memories of them and assumed I could do a quick revision: freshen the language, update a few details, and lean a little harder into the romance tropes.

My mistake.

While the books were solid, they needed far more work to meet current reader expectations. I completely rewrote two of them and performed major surgery on two more. What I realized—very clearly—is that back then I didn’t really understand the romance market at all.

I was writing stories about young gay men finding career success and romance on South Beach.

Note the order of those words.

There was plenty of romance, but not in the way today’s romance readers want it centered and foregrounded. Fixing that meant rethinking structure, pacing, emotional beats. Basically everything.

Once the revisions were done, each book still needed a full production checklist: updated copyright pages, added customer reviews, a brief reader summary at the front, a series summary at the back, updated author notes, new tables of contents, new covers, revised descriptions, and new keywords.

That’s a lot of work for one book. I had to do it six times.

I’m now gradually uploading the revised series to Amazon, where the books will be enrolled in Kindle Unlimited, where many romance “whale” readers do most of their reading.

While all of that was going on, I stumbled into another project.

I started paying close attention to how readers are actually finding books now—and it’s changing fast. Instead of typing keyword strings into Amazon search, more readers are asking full questions using AI tools like ChatGPT, Claude, or Gemini, then following the links they’re given. Even Google now provides AI-generated summaries instead of simple lists of results.

If you’ve tried searching Amazon lately—even by author name or title—you’ve seen how cluttered the results are with sponsored listings.

So the question for authors becomes: how do we make sure our books surface in these new kinds of searches?

I spent months learning how this works, and yesterday I shared what I’ve learned in a presentation at the Boca Raton Library. For those who couldn’t attend, or who wanted more depth, I’ve packaged the material into a 70-page PDF, along with worksheets for both self-published and traditionally published authors, plus an audit sheet you can use to see whether your titles, descriptions, and online presence align with the kinds of questions readers are actually asking.

If you’re an author, reply to this email and I’ll send you a free copy of the audit sheet. It’s a practical tool on its own and gives you a clear preview of the full package.

If you want to see what the whole product looks like you can find it at Gumroad:

Train the AI to Fetch Your Books

One more quick note: the four-book Angus Green FBI thrillers set is currently on sale for 99 cents, reduced from $6.99. You can order from Amazon or your favorite retailer if you like, but I’ll only get 33 cents from each sale. If you order from Curios, I’ll get the whole 99 cents. Not a big deal, but in today’s economy every penny matters. (Well, except for the US Mint.) (BTW I’ve sold 480 copies of this set so far at that BARGAIN price!)

I make the most $ here

Angus at Amazon

Other Retailers

Weather permitting, I’m traveling to Austin, Texas on Thursday for the Novel Marketing Conference. I’m hoping to come home with even more ideas to test. I’ll keep you posted.

Remember, if you’d like to get a Valentine’s postcard from Joanna and me with a link to a free download of the ebook of Death at the Dog Park, enter your name and address here: https://forms.gle/jYCMFAHRaxE7kXes9

I am very grateful that the body of Sgt. Rai Gvili was returned to his family. His was the last of the hostages in Gaza. I hope that the peace process can move forward.

(A balcony on the Aston Aloha Surf Waikiki, where I worked on those page proofs.)

I am also saddened by the death of Don Weise, who was my editor briefly at Alyson Books. He was a strong force in gay publishing, and I was fortunate to know and work with him. Back in the day, editors sent printed page proofs to authors to correct errors and add or subtract information.

We had to be very careful not to change the pagination because that was already set in Adobe InDesign. Don FedExed me those proofs when I was in Honolulu doing research in 2009 before attending Left Coast Crime on the big island, and I sat out on my hotel balcony reading and marking up those pages. (Instead of wandering around absorbing the aloha atmosphere!)

With love and gratitude,
Neil

 

I Had to Fix These Books

What I missed the first time—and why these books are better now

Neil S. Plakcy

Jan 12, 2026

In 2013, I published Love on Site with Loose Id, a small press focused on MM romance. Five more books in the series followed, all centered on recent college graduates on South Beach, looking for love and career success.

Then I shifted my focus to the golden retriever mysteries, which were received more successfully. Looking back, I can see why. My balance in the Love on books was off—I often leaned too hard into career arcs and not hard enough into the romance readers were really there for.

Last summer, after working with various AI tools as editorial assistants, I decided to re-release the Love on series with updated covers and a closer look at the actual storytelling. My original plan was modest: update the tech, swap in cell phones and apps, bring the books forward in time.

That’s not what happened.

If you read any of these books years ago—or skipped them because they didn’t quite land—this relaunch is for you.

What I learned from those AI-assisted edits was… sobering. How had I put these books out into the world?

Different covers, to start. More contemporary and comparable to what’s selling today. Also a focus on two men on the cover. One: career Two: romance.

Here’s what needed fixing:

• Structural balance: Too much emphasis on career success, not enough on the romance itself

• Tropes: I didn’t lean into what was already there—age gap, workplace romance—because I didn’t even know to

• Heartbeat moments: I rushed past emotional connections instead of letting them breathe

Since then, I’ve completed a full revision pass on all six books, and a second, quicker polish on the first three. The process forced me to rethink not just these stories, but what “write to market” actually means for me—not as a formula, but as a promise to readers.

I could keep tweaking forever. Instead, I’m learning to think in terms of milestones rather than perfection. These books aren’t about becoming the best romance novels I’ll ever write—they’re about becoming books I’m proud to stand behind.

That does mean some other projects are waiting their turn.

On the romance side, Driven Together (my Formula 1 MM romance) needs one more strong revision run. On the mystery side, I have a new bodyguard novel in first draft, plus a Rochester spin-off featuring a twelve-year-old girl determined to become a detective. Joanna Campbell Slan and I are also planning another pair of novellas, Death Under the Dogwoods, for release this spring, along with the next full Steve & Rochester novel.

It’s a full slate—but a good one.

I’m trying to enjoy the quieter moments too: time with friends and family, movies, concerts, and a comedy show. I really liked Song Sung Blue and Kate Hudson’s performance. And while these revisions have stretched my timetable, they’ve also sharpened my sense of what kind of books I want to give you next.

New stories are coming, and they’re stronger for the work I’ve done here.